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Some recent reviews

May 24, 2011

No, not Midway Fair reviews — these are some of my recent reviews I’ve written for Driftwood of albums I particularly liked.

Baltimore’s own ellen cherry.

Cameron Blake‘s double album from earlier this year. (I’ve never really met Cameron for more than a minute, but we’ll be playing a show with him in June, and we played back-to-back sets at Hon Fest last year.)

A really amazing acoustic and horn-driven release from a German songwriter with a lot of Klezmer influence, Daniel Kahn.

And a couple EPs. Really happy to have heard the My Cousin the Emperor.

There are some show reviews up, too, among other things. Here’s a predefined search.

CD release poster

May 4, 2011

Mell Wall of Petal Blight designed two posters for us. We’re going to pick one and print up a bunch to give out at the show on May 21. Enjoy! Read more…

Ah, Spring. New writing. New perspective. And a new video.

April 20, 2011

I’m behind on the other video project I promised to work on—the covers of songs by other songwriters from Baltimore—more lack of focus I guess! Read more…

Our Kickstarter campaign!

March 21, 2011

The digital release was this past weekend, but there’s still one more step: Getting the CDs printed. Luck for us, Kickstarter exists and forces us to come up with some really nice rewards for anyone who can help. Check it out right here.

Rewards include a limited edition (only 50), personalized & signed copy of the CD a month before the CD release party for everyone who donates $15 or more. Some other rewards include advance tickets to the birthday dinner party (in August), music lessons from a band member, a private dinner (made by Jon!) for you and a friend, and your very own set of the Midway Fair octopodes (our ridiculously cute octopus avatars).

This post should probably have a nifty graphic, but I think the goofy poster placeholding www.midwayfair.org is probably enough. (Go there for a good chuckle if you didn’t come in through the front door.)

Song Sources: “Tomorrow I’m Gone (500 Miles)”

March 19, 2011

This is part of an ongoing series about the recordings on our new album, due out in March 2011. To read more in this series, click on the category “Song Sources: Stories behind the recordings.”

Although not my favorite song from the album, this my favorite recording I’ve ever made, and a lynchpin for the album. It’s the one song that really hammers home the folk music deconstruction I pursued throughout the project. Take a listen:

Read more…

Song Sources: “Two Crows”

March 7, 2011

This is part of an ongoing series about the recordings on our new album, due out in March 2011. To read more in this series, click on the category “Song Sources: Stories behind the recordings.”

“Two Crows,” a rewrite of an old British ballad, was one of the first songs written for The Distance of the Moon at Daybreak.

Read more…

Song Sources: “Put on the Brake”

February 26, 2011

This is part of an ongoing series about the recordings on our new album, due out in March 2011. To read more in this series, click on the category “Song Sources: Stories behind the recordings.”

This was one of the most frustrating recordings I’ve ever made—Even though it’s one of the simplest songs I’ve written in the past 5 years. But we stuck with it and ended up with what I think is a good headphones song.

Read more…

The Hangman (Down at the Gallows) (Matt Pless cover)

February 19, 2011

Words and music by the wonderful Baltimore songwriter Matt Pless, arranged by Jon Patton.

Read more…

Song Sources: “Don Quixote’s Deathbed Conversation with Sancho Panza”

February 12, 2011

This is part of an ongoing series about the recordings on our new album, due out in March 2011. To read more in this series, click on the category “Song Sources: Stories behind the recordings.”

Don Quixote is the first novel, and the greatest. This song was inspired by the second part, which was a much more serious work than the first part (with its windmills and such). Like the second part of the novel, the song delves into the nature of deception and self-deception and foolish ideals. Fittingly for a piece based on a 1000+ page book, this is also the longest and most complicated song on the album.

Read more…

Song Sources: “Wolves and Children”

January 26, 2011

This is part of an ongoing series about the recordings on our new album, due out in March 2011. To read more in this series, click on the category “Song Sources: Stories behind the recordings.”

Every album needs a pretty waltz, right?

The lyrical content of this song is some of my strangest, but this was one of my favorite recordings to make, ever, because I got to watch someone play lute.

Read more…